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“Perich’s most compelling and emotionally affective work to date...Chow’s performance is a mind-boggling balance of emotional and mathematical delivery, incorporating the entire sonic spectrum of her instrument and teetering at the limits of human endurance.” – Q2 Music
This is the first appearance at Open Ears for Canadian pianist Vicky Chow, who currently lives in New York City as a member of the Bang On A Can All-Stars.
Surface Image is a stunning marriage of Perich's inspired electronic aesthetic and Chow's nuanced yet fiercely virtuosic playing. It's a landmark release for Perich, being his first major release focusing solely on his work, as well as his first large-scale piano composition. Chow's dynamic performance is swept up in a sublime flurry of dazzling 1-bit sounds, simultaneously entangling and unraveling over the hour long journey. The line between electronic and organic is artistically blurred, as the simple hand-wired electronics fuse with the individual notes of the piano on the same, expansive plane.
Through a string of groundbreaking works pairing acoustic instruments with hand-made 1-bit electronics, Tristan Perich has transformed the way in which traditional forms of composition can be enhanced and reinvigorated by the aesthetic simplicity of math, physics, and code.
Canadian pianist Vicky Chow has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York) “virtuosic” (New Jersey Star Ledger), “sparkling” with a “feisty technique” (MIT Tech) and “new star of new music” (Los Angeles Times). She is the pianist for the award-winning ensemble, Bang on a Can All- Stars, Grand Band, The Virgil Moorefield Pocket Orchestra, and New Music Detroit and has collaborated with other ensembles such as ICE, Wet Ink Ensemble, and the Wordless Music Orchestra. She has performed internationally in Asia, Australia, Europe and North America at venues such as Carnegie Hall in New York, The Barbican Center in London, the Muziekgebouw in Amsterdam, the Tonhalle in Zurich, the Tongyeong Concert Hall in Korea to name a few. Most recently she gave the North American premiere of Steve Reich’s work ‘Piano Counterpoint’ and the world premiere of John Zorn’s new piano trio titled “The Aristos”, and Michael Gordon’s ‘Ode to La Bruja, Hanon, Czerny, Van Cliburn and little gold stars’ written for Grand Band, and an evening length work by artist/composer Tristan Perich for solo piano and 40 channel 1-bit electronics titled ‘Surface Image‘ written for Ms. Chow.
Her recording of ‘Piano Counterpoint’ was released in September 2014 on the Nonesuch label alongside Alarm Will Sound’s ‘Radio Rewrite’ and Radiohead guitarist Jonny Greenwood’s ‘Electric Counterpoint’. Perich’s ‘Surface Image’ was also released in the fall of 2014 on the New Amsterdam label to much success and was included in the top albums of the year lists such as The Rolling Stone Magazine and Rhapsody. Her performances of Morton Feldman and John Cage were featured on BBC3‘s documentary series ‘The Sound and The Fury’, based on Alex Ross’ book ‘The Rest is Noise’. Her passion for new music has propelled Vicky to work with an A-to-Z of leading composers and musicians such as Andy Akiho, Louis Andriessen, Nik Bärtsch, Michael Gordon, Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), David Lang, Steve Reich, Terry Riley, Lee Ranaldo (Sonic Youth), Julia Wolfe and Shara Worden (My Brightest Diamond). Her next projects include a piano concerto by American composer Ronald Bruce Smith in collaboration with BMOP,solo piano works by Pulitzer nominated composer Chris Cerrone, Alex Mincek, David Franszon, and Canadian composers Adam Basanta, Fjola Evans, and a new piano/percussion duo work by Vincent Ho.
As an artist frequently broadcasted on WNYC’s Q2 radio, her recorded work can be found on the 'Nonesuch', 'New Amsterdam', ‘Tzadik’, ‘Cantaloupe’,’ Innova’, ‘Hinterzimmer’, and ‘AltaVoz’ labels. Interviews and articles featuring Ms. Chow was published in the Huffington Post, Gramophone, The New York Times, The Vancouver Sun, and many more. In addition to performing, Ms. Chow produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers in New York City. She receives continuous support from the Canada Council for the Arts and has received grants from the Fromm Foundation, The Yvar Mikhshoff Trust, The Aaron Copland Music Fund, The Vancouver Foundation, and the BC Arts Council.
Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin before continuing studies at Manhattan School of Music with Christopher Oldfather. Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard Festival. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her NY orchestral debut appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1.
Tristan Perich‘s (New York) work is inspired by the aesthetic simplicity of math, physics and code.
The WIRE Magazine describes his compositions as "an austere meeting of electronic and organic." 1-Bit Music, his 2004 release, was the first album ever released as a microchip, programmed to synthesize his electronic composition live. His latest circuit album, 1-Bit Symphony (Cantaloupe, 2010) has received critical acclaim, called "sublime" (New York Press), and the Wall Street Journal said "its oscillations have an intense, hypnotic force and a surprising emotional depth." His works for soloist, ensemble and orchestra have been performed internationally by ensembles including Bang on a Can, Calder Quartet, Eighth Blackbird at venues from the Whitney Museum and Mass MoCA to Sonar and Ars Electronica. He has received commissions from Bang on a Can, Meehan/Perkins Duo, Dither Quartet, Yarn/Wire, and others.
As a visual artist, Perich has had solo exhibitions at bitforms gallery (NYC), Mikrogalleriet (Copenhagen), Museo Carandente (Spoleto), The Addison Gallery (Massachusetts), Katonah Museum (New York), Monster Truck (Dublin), LEAP (Berlin) among others, as well as group shows aound the world. HisMachine Drawings, pen-on-paper drawings executed by machine, were described as "elegantly delicate" by BOMB Magazine.
Perich was a featured artist at Sonár 2010 in Barcelona, and in 2009, the Prix Ars Electronica awarded him the Award of Distinction for his composition Active Field (for ten violins and ten-channel 1-bit music). Rhizome awarded him a 2010 commission for Microtonal Wall, an audio installation with 1,500 speakers. Perich attended the first Bang on a Can Summer Institute in 2002. He was artist in residence at Issue Project Room in 2008, at Mikrogalleriet in Copenhagen in 2010, at the Addison Gallery in Andover, MA and Harvestworks in New York in Fall 2010, and at the Watermill Center in 2012. His work has received support from New York State Council on the Arts, the American Music Center, Meet the Composer and others. He has spoken about his work and taught workshops around the world.
Perich studied math, music and computer science at Columbia University, and received a masters in from the Interactive Telecommunications Program at Tisch School of the Arts, NYU.