Preview: SUPERCOLLIDER - Communitech Hub

  • Communitech Hub 151 Charles St W Kitchener, ON, N2G 1H6 Canada
Lori Freedman, SUPERCOLLIDER credit: Adelaide Klarwein

Lori Freedman, SUPERCOLLIDER credit: Adelaide Klarwein

A FREE EVENT - FACEBOOK RSVP

Open Ears presents three of our #BTE15 special guests at the Communitech Hub on Friday, June 19th at 400 PM.

Three members of SUPERCOLLIDER, Lori Freedman, Marc Boivin and James Harley, will be performing on June 21st at our mainstage event Soundgliding, and they will give a free preview of their work at 400 PM on June 19th in the Communitech Hub!

Also on the bill is a familiar face to Open Ears audiences - Ben Grossman will bring his hurdy gurdy and his incredibly imaginative sound world! Check out his TEDx talk here.

 

ABOUT THE PERFORMERS

MARC BOIVIN, dancer

A generous and prolific dancer whose career has spanned nearly 25 years, Marc Boivin has worked and performed in Quebec, Canada and abroad. The evocative power of his numerous appearances on stage has been repeatedly acclaimed by audiences and critics alike. He began his career in 1982 with Ottawaʼs Groupe de la Place Royale, under the direction of Peter Boneham, and has since lent his interpretive qualities to many choreographers and projects. He joined O Vertigo, under choreographer Ginette Laurin, in 1985, participating in the companyʼs earliest creations and in several tours in Canada, the United States and Europe. He began to work as a freelance ar t i s t in 1991. Many renowned choreographers such as Louise Bédard, Sylvain Émard, André Gingras, Jean-Pierre Perreault, Dominique Porte, James Kudelka, Tedd Robinson, Felix Ruckert and Catherine Tardif have since solicited his talent and skill as a dancer for their works. Over the years, Boivin has also taken part in numerous improvisation projects, which have proven to be determining influences in the artistʼs trajectory. Indeed, these experiences have inspired his own passion for choreographic creation and shaped the quality of imagination that he brings to his pieces. In 1999, Marc Boivin was awarded the Jacqueline Lemieux Prize by the Canada Council for the Arts.

In parallel with his work as a dancer, Boivin has pursued a very active teaching career since 1987, when he joined the professorial staff at LADMMI – LʼÉcole de danse contemporaine. His pedagogic approach is infused with the same passion that he brings to interpretation, and he is regularly called upon to teach and choreograph in professional schools and universities across Canada. Noteworthy are his passages in Vancouver, at the University of Calgary and in many EDAM workshops, where he teaches interpretation, improvisation and technique as well as offering individual coaching.

While Marc Boivin has long evolved as a performer, giving shape and meaning to the languages of different choreographers, he has also developed a marked interest for creation. His fascination with human beings nourishes his desire to explore a choreographic vision and voice of his own. His first choreographies were realized in the context of teaching activities, commissioned by prestigious schools in Winnipeg, Toronto and Montreal. These gave rise, among several other pieces, to La Fracture, a dance created for LADMMI students in 2006 and subsequently remounted at the Royal Winnipeg Ballet School, where he also created Aria. Between 2004 and 2008, he created solos for two professional dancers, respectively To Somewhere else for Jolene Bailie (Winnipeg) and Between here and now for Jennifer Dallas (Toronto), as well as the group piece Fragments, for Code Universel in Quebec City.

The creation of Impact marks a pivotal moment in the dancerʼs career. As the first piece that he choreographs for himself, this solo project is a synthesis of many years of craft and artistic practice. Having danced the dance of others, this seasoned artist now feels the urgency to create, as a means of reflecting upon his own experiences, encounters and particular relationship with dance, thereby giving testimony to this rich journey. As the bequest of a performerʼs life, strewn with meaning and diversity, Impact is a total creation experience that has been a long time incubating. Alone in the face of this impressive artistic legacy, Boivin now wishes to speak to the world in a language that is uniquely his.

Marc Boivin is highly involved in the contemporary dance milieu, and has played an influential role in its emancipation on the larger art scene. He is President of Fondation Jean-Pierre Perreault since 2005, and was a member of the Conseil des Arts de Montréal from 2006 to 2010 and RQD president from 2010 to 2014.

LORI FREEDMAN, clarinet

Qualified as “a musical revolutionary in the front ranks of the avant-garde” by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as “renaissance musicians ” as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises 59 recordings, the most recent of which include Greffes (Empreints digitales), On No (Mode records), Bridge (CQB/DAME), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett.

BEN GROSSMAN, hurdy gurdy

Ben Grossman is a Canadian hurdy-gurdy player, percussionist, composer and improviser. He performs both as a soloist and as part of various ensembles. Ben's work is featured on over 80 CDs. He has also been recorded for film soundtracks, radio dramas, as well as for television shows and commercials.

Grossman was part of the music team awarded the 2005 Golden Sheaf Award in the Best Original Music Non-Fiction category for the Ali Kazimi film, Continuous Journey. He has performed live with the Toronto Consort, Ensemble Polaris, La Nef, BT, Loreena McKennitt, (amongst others) and in various solo and ensemble improvisational events. Grossman’s first solo album, Macrophone was released in 2007 and features a unique two CD form for simultaneous, aleatoric playback.

Grossman has presented hurdy-gurdy workshops and lessons with Valentin Clastrier, Matthias Loibner, Maxou Heintzan and Simon Wascher. He currently focuses on his efforts in applying the hurdy-gurdy to early, traditional, experimental and ambient music. His goal is to explore the wide range of sound possibilities of this acoustic synthesizer.

JAMES HARLEY, live audio manipulation


James Harley is a Canadian composer presently based in Ontario, where he teaches at the University of Guelph. He obtained his doctorate in composition at McGill University in 1994, after spending six years composing and studying music in Europe (London, Paris, Warsaw). His music has been awarded prizes in Canada, USA, UK, France, Poland, Japan, and has been performed and broadcast around the world. Some of Harley’s compositions are available on disc (Artifact, ATMA, Centrediscs, Dame, Kappa, McGill, Musicworks, PeP, Soundprints) and his scores are primarily available through the Canadian Music Centre. He has been commissioned by, among others, Codes d’Accès, Continuum, ECM, Hammerhead Consort, Kappa, Kore, New Music Concerts, Oshawa-Durham Symphony, Open Ears Festival, Polish Society for New Music, SMCQ, Transit Festival Leuven, Transmission, Trio Phoenix, Vancouver New Music. He composes music for acoustic forces as well as electroacoustic media, with a particular interest in multi-channel audio. As a researcher, Harley has written extensively on contemporary music. His book, Xenakis: His Life in Music (Routledge) was published in 2004. As a performer, Harley has a background in jazz, and has most recently worked as an interactive computer musician, notably in the duo ~spin~ with flutist Ellen Waterman.